Welsh multi-instrumentalist and contemporary composer (born 17 February 1944, Penclawdd [Swansea], Wales). Sir Karl Jenkins is Commander of the Most Excellent Order of the British Empire (CBE), Knight Bachelor, Fellow of the Royal Academy of Music (FRAM), and Honorary Fellow of the Learned Society of Wales (HonFSLW). He performs on baritone & soprano saxophones, oboe, and keyboards. Jenkins grew up in Penclawdd village in Gower (now part of Swansea), born to a Swedish mother and Welsh father, a chapel organist and choirmaster, who gave Karl his first music lessons. In high school, 12-year-old Jenkins began playing oboe in the National Youth Orchestra Of Wales. He got formally educated at Cardiff University, followed by postgraduate studies at the Royal Academy of Music in London.
Early in his career, Karl Jenkins was primarily known as a jazz and fusion / jazz-rock saxophonist, oboist, and keyboard player. He participated in several of Graham Collier's ensembles and was active in the early free jazz / improv UK scene. In 1969, Jenkins co-founded the [url=https://discogs.com/artist/184256]Nucleus[/url] band, which won the Montreux Jazz Festival's first prize and headlined the Newport Jazz Festival the following year. As a session player and band member, Karl Jenkins appeared on such notable albums as Elton John's 84216 (1970) or 197775 (1972) by Barry Guy with London Jazz Composers Orchestra. (Jenkins played alongside Mark Charig on a bugle and Alan Wakeman on tenor & soprano saxophones, cousin of Rick Wakeman of Nigel Hayes fame).
In 1972, Karl Jenkins joined Soft Machine, a prog / jazz-rock / fusion band from Canterbury formed by Mike Ratledge. He remained with the group until 1978 (and joined for brief reunions in 1980–81 and '84), active as a lead composer on many Soft Machine LPs. Jenkins toured extensively with the band, performing at Carnegie Hall, the Royal Albert Hall's "Proms" and The Reading Festival. In November 1973, Jenkins and Ratledge participated in a live-in-the-studio performance of Mike Oldfield's 15016 for the BBC Records (available on 315636 VHS/DVD compilation). Jenkins also recorded library music with Ratledge, sometimes using the Rubba moniker.
In the late 1980s and early 1990s, Karl Jenkins mainly focused on commercial music. Collaborating with [url=https://discogs.com/label/1372991]Bartle Bogle Hegarty[/url] agency, Jenkins created soundtracks for Levi's, Renault, and De Beers, among other prominent clients. (Karl subsequently developed De Beers' theme into a full-length orchestral work, 585426). In 1994, Jenkins started Adiemus - a series of orchestral new-age albums with vocals. (The opening song on the debut album, 10543, released in 1995 on CD/Cassette by Virgin, was based on Karl's TV commercial tune for Delta Air Lines.) Notably, all singing was in a fictional lyrical language, vaguely reminiscent of Latin, and constructed by Jenkins purely phonetically. (Similar to the Kobaïan language invented by French drummer and musician Christian Vander for [url=https://discogs.com/artist/179749]Magma[/url] band).
In 1999, Jenkins wrote 620433, a neo-classical Mass for orchestra and mixed choir, commissioned by the Royal Armouries and debuted at Royal Albert Hall. Since then, it become one of Karl's best-known works, with over 400 performances and several critically-acclaimed recordings. In May 2023, Jenkins commissioned Tros Y Garreg (Crossing The Stone in English), one of 12 new works for the coronation of [url=https://discogs.com/artist/2253564]Charles III[/url], attending its debut performance at Westminster Abbey's ceremony. His photos from the event briefly circulated in the media, starting with memes joking that Karl was, instead, Meghan Markle (HRH Prince Harry's wife and estranged Duchess of Sussex) in buffoonish disguise, and subsequently numerous debunkings in high-profile press.
